General Murong Qiu Yu was infatuated with the second prince Li Mo, she aided him in seizing the throne. However, she was betrayed and killed by Li Mo and her sister Murong Xin Er. After being reborn, Qiu Yu found herself back on her wedding night with the seventh prince, Li Jian. Qiuy Y decided to join forces with Li Mo’s rival, Li Jian, to ensure that Murong Xin Er and Li Mo face the punishment they deserve… – source, MDL

I followed the TBR Challenge Prompt for “once!” This is a new to me scriptwriter (Luo Man Ying) – which isn’t something I usually check, but I did here. It’s also fitting because the story is the best part of the drama. What’s Wrong With My Princess is one of the most satisfying revenge stories I’ve seen. It’s a short drama so definitely not big budget, but definitely worth watching. I think I’ve seen both lead actors in other dramas previously, but ironically the one who I’d be most interested in seeing again was a character I hated – the SFL. (I chalked it down to the directing and good acting – her character is awful.)

When it comes to Chinese dramas the way lead characters are discussed are “Female Lead (FL),” “Male Lead (ML),” “Second Female Lead (SFL),” “Second Male Lead (SML),” and occasionally there’s a third FL and ML. Although ML and FL are always the hero/heroine, it’s not the case for SML, SFL, etc. – just they also get the more developed stories and longer screen time. There are some trigger warnings needed for the beginning – although it’s so unrealistic and absurd seeing it at least for me wasn’t that big of a deal – in fact I kept thinking and even said “that’s not how this shit works” but it was so awful it’s one of those “I don’t mind it’s wrong” things. The evil characters kill FL’s child in utero… right as she’s going into labor. It’s deeply fucked but that’s the point and why she comes back so angry and determined to exact justice. There’s also the dark history (or purported history) of consorts and concubines doing this sort of thing in the palace in order to grab power for themselves or preserve power … so it’s slightly less “what the FUCK”/more common to see to a native audience than to a Western audience.
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